Creep. Stalker. Gross. Weird. Inappropriate.
Those are just a few of the (tamer) ways that Robin Thicke‘s new album, Paula, out Tuesday, has been described by critics, bloggers, people who think it’s just plain weird that the singer rush-recorded a whole album aimed at winning back his estranged wife, actress Paula Patton. But is it?
“Being a one-hit wonder is one thing and the usual follow-up is that nobody cares, not that everybody thinks you’re a jackass,” said Alan Light, who’s the author of the upcoming book “Let’s Go Crazy: Prince and the Making of Purple Rain.”
Thicke’s effort, a stripped-down, soulful meditation on love lost, regret and a yearning to have Patton back, is a brazen, old-school soul-sounding album that, yes, lacks the heat of a “Blurred Lines,” but Light, former Spin and Vibe editor in chief, wondered why it’s been met with so much bile.
Star Track
“Often the backlash after someone has a big hit is that people are tired of them or they’re overexposed, but it’s not about them as a human being, which seems to be what this is,” he said of the very personal venom aimed at Thicke’s effort to patch his broken marriage. “Think about Marvin Gaye’s record [1978's Here, My Dear, about the bitter dissolution of his marriage] or [Eric Clapton's] ‘Layla’ [about the guitarist's love for friend George Harrison's then-wife]. In this media environment what the hell would people ...
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