The YA curse has been broken, and it was Tris and the cast of "

The Shailene Woodley-led adaptation has been hailed as a success in industry circles and won the box office for the weekend, but how well did it do in comparison to "Twilight" and "The Hunger Games"?

Here's a closer look at the opening weekend number for "Divergent."

$56 million - How much "Divergent" made in its opening weekend
Here's the number you've probably seen associated with "Divergent" a lot today. This was the big number that "Divergent" hit this weekend, almost exactly on-target with what analysts had predicted. Solid, though nothing earth-shattering, but good enough to make it the second biggest opening of the year behind "The LEGO Movie."

$96 million - How much more "The Hunger Games" made
Summit Entertainment and its parent company Lionsgate, from the very start of "Divergent" was hoping to recreate the phenomenon that erupted out of the Jennifer Lawrence-led movie with a similarly themed adaptation starring an up-and-coming actress. Ultimately, this may have come down to the public's familiarity with "The Hunger Games" and its much more straightforward story at the time of release.

$13 million - How much more "Twilight" made
This is where Summit should see some good signs. The first installment in the Kristen Stewart and Robert Pattinson vampire saga opened to the tune of $69 million all the way back in 2008. (Remember 2008?) With the next two movies in the "Divergent" series already schedule, Summit has some room to grow.

69 percent - The female portion of the audience
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In recent years, 50 Cent has voiced his frustration with Interscope on multiple occasions, but it may have been what he viewed as their inextricable link with Beats By Dr. Dre headphones that factored into his decision to leave the label.

In February, 50 announced that he was leaving the label, which had been his home since the release of his 2003 debut album,Get Rich or Die Tryin'.

Instead, his June 3 album, Animal Ambition, is due out on Caroline, an independent arm of Capitol — which also happens to be under the same parent umbrella (Universal Music Group) as Interscope.

50 sat down with MTV News on March 17 at Eminem's Shade 45 radio station, the same night he taped a SIRIUS XM Town Hall special with fans which will air on the station on March 31. Fif opened up about his issues with music executive Steve Stoute and the current state of his G-Unit rap group. Then, of course, there was his split from Interscope.

"Not that there wasn't a whole lot of support, but just an actual fear factor created from the aura of respect that Jimmy[Iovine] has within the Interscope system," Fif began to explain. "When you see Interscope turn into Beats Records, where everyone that you see is actually marketing Beats headphones — you don't even see a music video without Beats headphones in it."

The push to market Beats headphones may have been particularly off-putting for 50, who not only doesn't have any stake in Beats, but actually owns a competing outfit. In ...

The Black Keys had a little help announcing their new album, Turn Blue, relying on Mike Tyson and, uh, some creepy hypnotist guy to spread the news.

But when it came time to premiere the first single off that album, they decided to let the song speak for itself.

On Monday (March 24), the Keys unveiled "Fever," a track that takes their tried-and-true formula — Dan Auerbach's fuzzed-out guitars and hangdog howls, Patrick Carney's heavy-handed work behind the drumkit — and punches it up with a psychedelic groove, adding keening organs, bells and a suite of studio effects to the mix.

In essence, "Fever" strikes a balance between the hard-charging riffs of 2011's El Camino and the headier spaces explored on 2010's Brothers and some of frequent collaborator Danger Mouse (who co-produced Turn Blue with Auerbach and Carney) recent work, most notably Broken Bells. And while purists may decry the duo's turn away from their raucous, blues-indebted roots, well, there's still hope yet.

An accompanying press release notes that Turn Blue was produced in a trio of studios (including Sunset Sound in Hollywood and Auerbach's own Easy Eye Sound in Nashville) and hints that, while the Keys are definitely headed in different directions on their new album, they haven't forgotten the past, either.

"We are always trying to push ourselves when we make a record, not repeat our previous work but not abandon it either," Carney says in a statement. "On this record, we let the songs breathe and explored moods, textures and sounds. We're excited for the world to hear Turn ...