“Congratulations, you made it,” Boots says as we speed through the gauntlet of Times Square neon, rain slashing the Uber windows as Beyoncé‘s “Partition” blares from the speakers. The car erupts into seat-dancing — dancing that becomes even more fervent when “Drunk In Love” comes on.
No one tells the driver that he has unwittingly sound-tracked tonight’s car ride with jams dear to the man currently sitting in the backseat — the man who produced about 80% of Beyoncé’s self-titled surprise record and co-wrote a good portion of the songs therein.
I am hyper-aware, however, of the oddness of the situation. I had started out that night at a listening party for Boots’ debut mixtape, WinterSpringSummerFall, and continued it dancing to music penned by the man himself and sharing whiskey at Brooklyn’s Baby’s All Right. I had “made it,” I guess.
Despite “making it,” however — a state of affairs that I’m certain I achieved because I kept my phone sheathed during the party — that doesn’t mean I get all the answers. In fact, I came out of my very first meeting with Boots with more questions than I went in with. And guess what? I kind of like it that way…
Boots, a Miami native who previously played in a bevy of bands, including Blonds, first found his place in the music world in the form of a question mark when Beyoncé sprung her self-titled record unto the world at the end of 2013. His name was all over the ...
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