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The boundless Kanye West pushed even further last night when he bypassed traditional television and online channels and instead premiered his on the sides of 66 buildings all across the world.
The video presentation was as revolutionary as the jarring lyrics that Yeezy spits on the song, which throws racism and consumerism into a blender and pours out a tall glass of hard-to-swallow self-reflection. 'Ye's politically charged poetry may come off contradictory to new fans who only recently caught on to the Givenchy-wearing, $250 Air Yeezy-selling rapper, but for those keeping score, "New Slaves" is rooted in West's 2004 The College Dropout days just as much as his post-Watch the Throne trip.
From the first line, 'Ye draws parallels to his debut. "My mama was raised in the era when/ Clean water was only served to the fairer skin," he rhymes to start.
Even before she tragically passed away in 2007, Kanye's mother, Donda West, inspired a great deal of his character and his music. Hearing his mother's stories of a segregated America clearly shaped the MC's views. It's an inspiration that drives "New Slaves" just as it did 2004's "Never Let Me Down," where Kanye tells us of his grandfather and mother who protested during the Civil Rights era. "At the tender age of six she was arrested for the sit-ins/ And with that in my blood I was born to be different," Yeezy raps, before warning us: "Racism still alive, they just be concealing it."
The connections are plentiful. In "New Slaves" Kanye tackles being broke and not ...
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GULF SHORES, ALABAMA — Dillon Francis is pulling double duty at Hangout 2013, performing and working as a guest correspondent for MTV ... though for a minute on Thursday, it seemed like neither of those things would happen.
Shoot, Francis barely made it to Alabama.
"I woke up at 6:25 a.m., stayed in bed a second like 'Oh my God, I've got to go to the airport ...' but I was doing fine, going to the airport, and when I get there, I realized I didn't check in on my phone," he laughed. "So I go to check in and the lady at the counter is like 'No, you can't check in on the flight.' So I call my management, we're freaking out, because there's no planes to Alabama, ever."
Somehow, Francis managed to snag the last seat on a flight headed down south, but when he finally landed, he was still more than an hour away from the fest itself (Hangout is many things, close to an airport is not one of them) ... and his set time was quickly approaching.
"I was counting Piggly Wigglys to calm myself down while we were driving here," he said. "I finally got to my set six minutes late; I ran up on stage, set up my computer and just did it."
And his set went off without a hitch. Francis even said it was one of his all-time favorite gigs; and not just because he was basically winging it.
"I tweeted that I might not make it to the festival, and I started getting messages ...
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NEW YORK — Electric Daisy Carnival made up for every loss the Mets experienced last season within just a few hours of the festival's opening. It all kicked off Friday afternoon at New York City's Citi Field, disguising the usual baseball grounds as an electronic musical heaven filled with carnival rides, theatrical performances and a myriad of DJ/producers.
A roster of top-notch bass, electro, progressive-house and dub-step DJs played to a crowd of about 40,000. Five stages were set up next to each other, each with a different vibe and an appropriate lineup of DJs to match. A ferris wheel and electronic swings outlined the stages, while eccentric women in fairy costumes, bedazzled tutus and colorful wigs walked around, adding to the mystical atmosphere.
Danny Avila, Cedric Gervais, Nervo and Arty were a few of the artists who helped start the high-energy day. Sunnery James & Ryan Marciano passionately played their rhythmic beats and tribal sounds late into the afternoon, followed by Zeds Dead, who dropped their aggressive dub-step hip-hop signature sound until the sun set.
Dutch DJ Nicky Romero immediately started dance frenzy at the Circuit Grounds stage with his classically infused single "Symphonica." He later played "Like Home," remixed Kid Cudi's "Pursuit of Happiness" and dropped everyone's favorite Avicii collabo, "I Could Be the One." Confetti and pyro burst out from all ends of the stage and teenaged girls continuously screamed out, "I love you, Nicky!"
But probably the most anticipated set of the evening was Steve Angello's, who, now solo from Swedish House Mafia, recently told MTV News ...
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