Vampire Weekend don't get "dark" on their brand-new Modern Vampires of the City album, they get "deep," turning song structures inside out, bending frontman Ezra Keonig's lithe voice beneath the weight of digital lacquer, and taking their preppy pop in bold new directions. It is a third album in every sense of the term, the adventurous, unapologetic one bands earn the right to make after proving they're in it for the long haul (something VW did with 2010's Contra), and ease into the next phase of their career.
It represents a brand-new Vampire Weekend, to be certain, and yet, Modern Vampires also spends no shortage of time looking backwards ... it is a bold reinvention, and, in a lot of ways, a rediscovery, too. Of past themes and traditions, songs and styles long forgotten, yet readily available; consider it musical archeology, because VW certainly do.
"We went a little further, a little deeper, in every direction on this record, but I think that, we've always tried to connect to a tradition," multi-instrumentalist Rostam Batmanglij said. "Whether that's a recording tradition or a songwriting tradition or a tradition that dates back to the 16th century, you're connecting to a tradition, and that's always somewhere in the back of our minds. Whether it's other songs or music that we love, I hope that, at the end of the day, we are connecting in a way that's real."
"Looking back on everything, time is a big part of it, as a theme, especially with the music, and the approach to production," Koenig added. ...
Read More →