by Craig Flaster 21 mins ago

There’s one thing that links Arnold Schwarzenegger, Will Ferrell, Adam West and Bruce Lee, a tradition that’s stretched across decades on the silver screen: they’ve all punched animals. The best part? You can see all of their scraps with nature in the video above.

Yes, in a pattern that’s apparently like no other in Hollywood, plenty of movies feature people fighting beasts both wild and domestic. Angelina Jolie and Adam West have both punched sharks, while Schwarzenegger, Ferrell, and Paul Rudd have all faced off against bears.

Related: Guys Who Fought Apes In Real Life (And Got CRUSHED)

But who has it out the most for the animals? Well, it turns out that Schwarzenegger is the biggest offender, punching two camels, two dogs — in all fairness, they were attacking him — and even a reindeer. (He also kicks a crocodile, though that didn’t quite fall under the confines of the video.) Will Ferrell is very close behind him, punching both a dog and a bear.

Cats, dogs, horses, camels, sharks: no one is spared. But remember, it’s all just movie magic! No animals were actually harmed in the making of this supercut.

by Jessie Peterson 21 mins ago

Poor iPhone 6, you can’t seem to catch a break. First there was #bendgate, and now there’s #hairgate? A 9to5Mac Community post uncovered that early adopters of the smartphone were having their hair yanked out of their heads due to a gap between the phone’s aluminum body and glass display.

This of course has lent itself to shaving jokes.

A remark on hairdressing in general.

Along with commentary on beards. Who knew that people were so divisive on the subject? Spoiler alert: If you happen to have facial hair and an iPhone, chances are that someone’s going to critique your beard and call you a hipster. Sorry.

One particular user posits that maybe the initial testers might’ve been bald men.

But it appears that #hairgate has affected all stripes of Apple users with varying degrees of hair yankage, leaving no one safe. Our only response? Ouch! ;)

by Rob Markman 1 min ago

Rico Love has produced hit songs for Usher, Beyoncé and Diddy, and now maybe Sam Smith should consider linking up with the hitmaker.

On Monday (October 6), Love posted a #TTLO (Turn the Lights On) remix to Disclosure’s hit track “Latch” onto his Soundcloud account. Rather than rap and sing over the ubiquitous dance beat, Love built a brand new instrumental around Smith’s soulful vocals, giving the song a sexier feel.

Love took other liberties, as well, singing and rapping, intertwining his performance with Smith’s. “Not afraid to tell you everything, I’m latching on, wish I could lock you up inside a dream,” Rico sings to set the tone on the record.

Hopefully, this remix isn’t the last time we hear Rico Love and Sam Smith together.

by Brenna Ehrlich 10 mins ago

Nat and Alex Wolff are on emotional overdrive on their new singles, “Where I’m Goin’” and “Rock Star” — and we’ve got the exclusive preview of all the pathos right here on MTV News and at Nat&AlexWolff.mtv.com.

The brothers (formerly of “The Naked Brothers Band”) have been releasing a cadre of folksy, borderline story-songs for the last few months now, previously dropping a duo of tracks on MTV News around the same time as “The Fault In Our Stars” came out — a movie that just happens to star Nat.

“We’ve gotten older since then,” Nat told MTV News, reflecting on their three years of growth since 2011′s Black Sheep. “Alex’s voice has changed… and our songwriting has gotten better. Alex has a beard which changes our sound, I don’t know why.”

There is a certain world-weariness to the brothers’ newest songs. “Where I’m Goin’” hints at a kind of bittersweet relationship replete with “shoulder pads and whiskey stains” and “the cats you love that I despise,” but the chorus is rallying, a nostalgia-inducing assertion: “Where I’m goin/ Where I’m goin/ Well, I don’t know yet/ I just know that I’m going home/ All I know is I’m going home.”

Related: Watch a deleted scene from ‘The Fault In Our Stars.’

And “Rock Star” — which appears in James Franco’s “Palo Alto,” in which Nat stars as a manic bad boy — speaks to a certain bone-deep dissatisfaction. “She turns to me and she whispers, ‘Hey man ...

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by Gil Kaufman 10 mins ago

Admit it, it’s happened to you too. You get knocked out for wisdom tooth surgery, dream amazing narcotic visions of hanging out with Beyoncé and share a pinky swear that she will totally be there IRL to help you recover when you wake up.

But then, if you’re 17-year-old Cody Lanphere, the drugs wear off, your mouth is full of bloody gauze and, for some reason, your mom is there filming you as you freak out and realize that not only is Queen Bey not there, but she LIED to you! “She couldn’t make it,” your mom says, offering to call her when she gets home.

Cody Lanphere

Wait, your mom has Queen Bey’s number? We know how you feel, Cody. We totally do. Bey totally ditched us when we had our cast taken off last week. (Also, as a side note, mom, it’s totally not cool to make fun of Cody for not knowing where his heart is.)

by Maeve Keirans 17 mins ago

Last week, British Vogue unveiled their November issue starring Taylor Swift. We immediately noticed something was ~different~—but what was it? And then it hit us: Her forehead was visible for the first time in a long, long while. Well, it turns out the forehead-baring was an intentional move on photographer Mario Testino and Tay’s part—in fact, the pair worked together on Taylor’s first Vogue cover, and it was at that shoot that she decided to cut her Red-era bangs.

Related: Taylor Swift’s Forehead Makes Rare Appearance On ‘Vogue’ Cover

Vogue

In a behind-the-scenes video from the shoot, Taylor and Mario discuss her hair and how her bangs “completely ended up changing the way that [she] looked for the next two years.” While the initial plan was just to have fake bangs under the hat, Taylor decided to cut them in the heat of the moment.

The duo go on to discuss the overall aesthetic she’s toying with for 1989, which, fittingly, mixes “’80s and ’90s styles” with classics. Taylor also casually mentions to Testino that her short hair is “a big theme in the album,” which, um, what?

Sure, that’s probably not quite what she meant to say, but I still want to know: Are there mentions to hair flipping made easier, or, like, entire songs dedicated to how styling short hair is different than long hair? Or, maybe, the references are more subtle with the words “chopped” or “flowing” thrown ...

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